The Royal Ballet is Back on Stage and returns for a special live-streamed celebration performance on Friday 9 October at 7.30pm BST. The Royal Ballet: Back on Stage review : Where: Online | MAP: When: 09 Oct 20 – 06 Nov 20, Live stream at 19:30 Available on demand for 30 days after. … Royal Opera House’s Learning and Participation film, Doncaster Dances shows the power and reach of the traffic of the Royal Opera House stage. If you are experiencing further problems with accessing this event, please visit the Help Centre. Every member of the Royal Ballet gets a chance to dance, which adds up to more than three hours on stage (with interludes from presenter Anita Rani, mainly of the “How does it feel to be back? Royal Opera House, via stream.roh.org.uk, until 8 November. With Max Richter’s music and Lucy Carter’s lighting, it makes for a very complete piece of theatre even in a short extract. Yes, I could contextualise about how this was … Performed by Orchestra of the Royal Opera House, Choreography Hofesh Shechter; Music Hofesh Shechter and Nell Catchpole, Dancers Luca Acri, Mica Bradbury, Annette Buvoli, Harry Churches, Ashley Dean, Leo Dixon, Téo Dubreuil, Benjamin Ella, Isabella Gasparini, Hannah Grennell, James Hay, Joshua Junker, Paul Kay, Isabel Lubach, Kristen McNally, Aiden O’Brien, Romany Pajdak, Calvin Richardson, Francisco Serrano, David Yudes, Choreography Lev Ivanov; Music Pyotr Il’yich Tchaikovsky; Costume designer John Macfarlane, Dancers Akane Takada (Odette), Federico Bonelli (Prince Siegfried), Choreography Cathy Marston; Music Sergey Rachmaninoff; Costume designer Roksanda, Dancers Fumi Kaneko and Reece Clarke; Solo piano Kate Shipway, Choreography George Balanchine; Music Pyotr Il’yich Tchaikovsky; Costume designer Karinska, ‘If I loved you’ pas de deux from Carousel, Choreography Kenneth MacMillan; Music Richard Rodgers, arranged by Martin Yates; Costume designer Bob Crowley, Choreography Christopher Wheeldon; Music Ezio Bosso; Costume designer Jasper Conran, Dancers Anna Rose O’Sullivan, Marcelino Sambé, Fumi Kaneko, Reece Clarke, Yasmine Naghdi, Nicol Edmonds, Ashley Dean, Isabella Gasparini, Hannah Grennell, Romany Pajdak, Luca Acri, David Donnelly, Téo Dubreuil, Benjamin Ella, Choreography Frederick Ashton; Music Felix Mendelssohn; Costume designer David Walker, Dancers William Bracewell (Oberon), Valentino Zucchetti (Puck), Mica Bradbury (Peaseblossom), Leticia Dias (Cobweb), Ashley Dean (Moth), Isabella Gasparini (Mustardseed), Dancers Laura Morera (Titania), Alexander Campbell (Oberon), Act I pas de deux from La Fille mal gardée, Choreography Frederick Ashton; Music Ferdinand Hérold; Arranged and orchestrated by John Lanchbery; Costume designer Osbert Lancaster, Dancers Anna Rose O’Sullivan (Lise), Marcelino Sambé (Colas), Choreography Kenneth MacMillan; Music Sergey Prokofiev; Costume designer Nicholas Georgiadis, Dancers Francesca Hayward (Juliet), Cesar Corrales (Romeo). With The Royal Ballet set to return to the stage on Friday 9 October for a live performance – in front of a reduced capacity auditorium and to a wider audience over video – O’Hare is feeling optimistic. Choreography Kenneth MacMillan; Music Scott Joplin and other Ragtime composers; Costume designer Ian Spurling, Violin 1 Vasko Vassilev; Violin 2 Anna Blackmur; Viola Amelie Roussel; Cello Christopher Vanderspar; Bass Paul Kimber; Flute Christopher Green; Clarinet Marina Finnamore; Trumpets Nicholas Betts and John Shaddock; Trombone Lindsay Shilling; Tuba Michael Levis; Drum kit Nigel Charman, The Dream and La Fille mal gardée are just two of over one hundred works created by Frederick Ashton™ (1904–88). But most of the show uses smaller configurations, with excellence across the board but some definite highlights: Akane Takada’s divine Swan Lake Act II pas de deux with Federico Bonelli taken at glacially slow pace – not because she’s wringing emotion out of it, but because she’s a creature of a different plane and that’s how long it takes to float, soundlessly from one step to the next. Her leap and swirl, body whooshing into the air, is pure freedom. Available to watch until 8 November at roh.org.uk. After an absence of … The Royal Ballet: Back on Stage. For the first time in seven months, the entire Company will … After an absence of seven months, the full Company will be reunited on their home stage with the Orchestra of the Royal Opera House in a spectacular collection of ballet highlights … Tickets for upcoming events are only available online, Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775), ‘Sunflower Slow Drag’/’Elite Syncopations’ The Company, ‘The Cascades’ Claire Calvert, Gina Storm-Jensen and Romany Pajdak, ‘Hot-House Rag’ Benjamin Ella, Téo Dubreuil, Fernando Montaño and David Yudes, ‘The Golden Hours’ Meaghan Grace Hinkis and Luca Acri, ‘The Alaskan Rag’ Melissa Hamilto and Paul Kay, ‘Bethena (Concert Waltz)’ Yasmine Naghdi and Nicol Edmonds. You’d never guess they’d all been off for months. The performance of Elite Syncopations and excerpts from Carousel and Romeo and Juliet are presented by kind permission of Kenneth MacMillan and Partner. The Royal Ballet returned to the stage for the first time in seven months on Friday night. Performed by arrangement with Oxford University Press. Watch The Royal Ballet as the whole Company reunites on their home stage to perform a spectacular collection of highlights from their repertory. Royal Ballet back on stage with social distancing After seven months, the Royal Ballet company is back on stage at the Royal Opera House in London. All rights reserved. Featuring Charlotte Tonkinson, Joseph Aumeer, David Pickering and residents of Doncaster. But, Hayward carries the same optimism that the Royal Opera House radiates with tonight’s Back On Stage performance. Mayari Magri smiles jubilantly as she runs on stage to the fading melody of You’ll Never Walk Alone, in an extract from Kenneth MacMillan’s 1992 choreography for Carousel. Had we not (rightly) be continually reminded of the joy of all concerned at being back on stage and hearing applause from a live audience; heard of all the hurdles that had to be overcome, including ‘bubbles’ and social distancing (including seeing the orchestra spaced … Vadim’s double double tour diagonal and Marianela’s open arm fouettés were impressive. After an absence of seven months, The Royal Ballet are joined by the Orchestra of the Royal Opera House to broadcast this live performance from the Main Stage to wherever you are in the world … O’Sullivan’s bright presence stands up to the warm megawatts of Sambé’s irresistible charisma. Royal Opera House, London, and online After seven months away from the spotlight, the entire company release their pent-up energy in a jubilant and moving three-hour gala of greatest hits, Last modified on Tue 13 Oct 2020 14.14 BST. Please note that all ROH performances and participating artists are subject to change due to Covid-19 restrictions. : 3 hours 10 mins: Price: £16 : Website: https://www.roh.org.uk/tickets-and-events/the-royal-ballet-back-on-stage-details The Royal Ballet Back on Stage gala consisted of 14 works performed at a high level. A special live-streamed performance tonight, Friday 13 November at 7.30pm GMT of the gala The Royal Ballet: Back on Stage, will be available through The Royal … View or download the cast sheet for the performance. The Royal Ballet: Back on Stage review - fireworks in the Garden At long last, our premier ballet company is back in action. For further information, visit frederickashton.org.uk. Tomorrow, most of The Royal Ballet company will be dancing live from their home stage at the Royal Opera House in Covent Garden, for the first time since lockdown. 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