The painting originated as a souvenir item associated with the Kali temple of Kalighat.Initially the paintings portrayed Goddess Kali and her tales of defeating the demons. Therefore emerged two different styles of the Kalighat painting, the Oriental, and the Occidental. The family members or the community members, would sit together and ground the ingredients to make the dyes, colors and some would draw the outlines of the main figures in the painting and while others would … It is one of the famous Hindu temples where … The style is characterized by broad sweeping brush lines, bold colours, and simplification of forms suitable for their mass production.. Kalighat Painting originated in the vicinity of Kalighat Kali Temple, Kalighat (Kolkata, India) in 19 th century. 3. Gradually, they have started to learn from the newer techniques and discovered that these could help them increase their earnings. In the nineteenth century, the only school of painting that was flourishing in Bengal was the traditional art of scroll paintings that was popular in the rural areas. K.G. These paintings were done on cloth or patas. A novel programme required formidable leadership and teachers with pedagogical values. In this exercise I also learnt emulation is the best way of learning, hence to get a hands on experience I emulated an occidental Kalighat painting. Initially these artists were concentrated around the temple at Kalighat where there was a demand for religious art. Kalighat-style paintings by Jamini Roy. They set up institutions that imparted a European style of academic training to Indian artists. He died in Kolkata at the height of his career at 56 years of age. Some Patuas are Hindus, while others are Muslims. The music of West Bengal includes multiple indigenous musical genres such as Baul, Ramprasadi, Bishnupuri Classical, Kirtan, Shyama Sangeet, Rabindra Sangeet, Nazrul Geeti, Dwijendrageeti, Prabhati Sangeet, Agamani-Vijaya, Patua Sangeet, Gambhira, Bhatiali, Bhawaiya, Bengali Rock. This page was last modified on 24 May 2016, at 10:21. Kalighat painting. It is the former capital of India and the current capital of the Indian state of West Bengal, and occasionally called the "Cultural capital of India". Pattachitra is one of the ancient artworks of Odisha, originally created for ritual use and as souvenirs for pilgrims to Puri, as well as other temples in Odisha. These style of paintings depicted contemporary society usually under satirical scrutiny. The Occidental school produced paintings that depicted social and political situations brewing in the 19th century- scenes of crimes, women or men feeding their pet cats, birds, and animals, men traveling by elephants, … This is an unofficial website intended to advertise Occidental and aggregate modern resources from the whole Occidental … The alternate discipline of Kalighat painting, known as the “Occidental school,” included pieces that depicted ordinary people engaging in everyday life or captured the changes taking place in Kolkata at the time. But the Kalighat artists did not restrict themselves to religious themes. Kalighat painting is perhaps one of the best primary sources to reconstruct the social history of the19th Century ‘Babu culture’ which flourished in Calcutta. The artists also chose to portray secular themes and personalities and in the process played a role in the Independence movement. Hindu Patuas are active in the Kalighat and Kumartuli regions of Calcutta, along with some other parts of West Bengal, where they are reduced in number. Such prints were then hand coloured. The main distinguishing facet of the Kalighat paintings is the motifs used in them. Drawings and Paintings of Kalighat by Mukul Dey, The Painters of Kalighat: 19th Century Relics of a Once Flourishing Indian Folk Art Killed by Western Mass Production Methods by Mukul Dey, Bengal Engineering and Science University, Shibpur, Indian Association for the Cultivation of Science, https://infogalactic.com/w/index.php?title=Kalighat_painting&oldid=721848276, Creative Commons Attribution-ShareAlike License, About Infogalactic: the planetary knowledge core. This trend continued up to the early part of the twentieth century and these paintings ended up in museums and private collections. In the 19th century, the only school of painting that was flourishing in Bengal was the traditional art of scroll paintings that was popular in the rural areas. Kalighat is a Hindu temple dedicated to Goddess Kali. Jamini Roy was an Indian painter. Due to the reign of many different rulers in the past, arts and crafts in West Bengal underwent many changes giving an artistic diversity today in the forms of traditional handicrafts, masks, painting and carving, dance, music etc. The Kalighat painters were very much outsiders, and their popular art style was one of the first instances where anyone called visual attention to the deteriorating effects of British presence on traditional Indian culture. Pattachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it. Kalighat paintings were simple which could be reproduced by lithography. Due to this exceptional combination, it gained steady acknowledgment. Script error: The function "getCommonsLink" does not exist. The Occidental school of Kalighat paintings depicts the day to day life of common people. Occidental is an international auxiliary language created by Edgar de Wahl in 1922. The Oriental Kalighatpaintings depict gods, goddesses, mythological characters as well as scenes from religious Hindu texts. Their paintings depicting different professions and costumes were also popular with the tourists. Pattachitras are a component of an ancient Bengali narrative art, originally serving as a visual device during the performance of a song. The charm of the Kalighat paintings lies in the fact that they captured the essence of daily life and they influence modern artistes like the late Jamini Roy even to this day. The artistes were villagers who travelled from place to place with their scroll paintings and sang the scenes from the epics depicted in the paintings during village gatherings and festivals. [21] Archer’s insistence on Western influence on Kalighat paintings is further weakened by flaws in his methodology. The Kalighat style of painting emerged around the Kali temple in Calcutta simultaneously. Kalighat Painting. Kalighat painting or Kalighat Pat originated in the 19th century in West Bengal, India, in the vicinity of Kalighat Kali Temple, Kalighat, Calcutta, India, and from being items of souvenir taken by the visitors to the Kali temple, the paintings over a period of time developed as a distinct school of Indian painting. Manishi Dey was an Indian painter of the Bengal School of Art. The Battala woodcuts were printed on a very cheap newsprint like paper to keep the cost of these prints low. The Bengali Renaissance or simply Bengal Renaissance, was a cultural, social, intellectual and artistic movement in Bengal region in the eastern part of the Indian subcontinent during the period of the British Indian Empire, from the 19th century to the early 20th century dominated by Bengali Hindu community. Bengal has a recorded history of 1,400 years. One of the oldest neighbourhoods in South Kolkata, Kalighat is also densely populated — with a history of cultural intermingling with the various foreign incursions into the area over time. This trend continued up to the early part of the twentieth century and these paintings ended up in museums and private collections. The Calcutta School of Art was one such school and attracted traditional artists–the patuas—to the city. They may have also been Buddhist at various points in time. The charm of the Kalighat paintings lies in the fact that they captured the essence of daily life and they influence modern artists like the late Jamini Roy even to this day. Also known as 'Indian style of painting' in its early days, it was associated with Indian nationalism (swadeshi) and led by Abanindranath Tagore (1871-1951), but was also promoted and supported by British arts administrators like E. B. Havell, the principal of the Government College of Art, Kolkata from 1896; eventually it led to the development of the modern Indian painting. Today, however, the majority of them are impoverished Muslims who rely on patronage from mainly Hindus, but also increasingly from tourists who buy their painted scrolls, as Frank J. Korom has described and analysed in his book Village of Painters: Narrative Scrolls from West Bengal. Although woodblock printing on fabrics has been in India for centuries, the paper adaptation of woodblock printing appeared relatively late, because of the late entry and early exit due to advent of lithography the Battala woodcut printing had a remarkably short run. Even contemporary events like crime were the subject of many paintings. The city name Calcutta is derived from word Kalighat. Kālīghāṭ painting, short-lived style of watercolour painting produced in the 19th century in India by artists in the Calcutta marketplace for sale to pilgrims visiting the Kālīghāṭ temple. Kalamkari is a type of hand-painted or block-printed cotton textile produced in Isfahan, Iran, and in the Indian states of Andhra Pradesh and Telangana. The artists also portrayed themes like Sita-Rama, Radha-Krishna and the exploits of Hanuman. He was born in Dhaka, Bengal Presidency. The Kalighat School was an agreeable and unique blend of two different styles of painting—the Oriental and the Occidental—and steadily gained popularity. The Bengal School of Art commonly referred as Bengal School, was an art movement and a style of Indian painting that originated in Bengal, primarily Kolkata and Shantiniketan, and flourished throughout the Indian subcontinent, during the British Raj in the early 20th century. The region has been a historical melting point, blending indigenous traditions with cosmopolitan influences from pan-Indian subcontinental empires. These paintings were a part of the Occidental school of Kalighat paintings while the painting with religious and mythological themes was under the Oriental school of Kalighat painting. They started creating new forms of art and the Kalighat painting was born. Manishi Dey was the younger brother of Mukul Dey, a pioneering Indian artist and dry point etcher. An important achievement of the Kalighat artists was that they made simple paintings and drawings, which could easily be reproduced by lithography. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. Their two sisters, Annapura and Rani, were accomplished in arts and crafts as well. As a part of the Bengal Presidency, it also hosted the region's most advanced political and cultural centers during British rule. The entire family of Mukul Dey had artistic talents, the brother Manishi Dey was a well-known painter, and his two sisters, Annapura and Rani, were accomplished in arts and crafts as well. Later academic training institutions were set up in Bengal imparting European style of art for the Indian artists by British patrons. They started creating new forms of art and the Kalighat painting was born. Their paintings depicting different professions and costumes were also popular with tourists. At present, apart from the Sanskrit theatre, the influence of the European theatre and the indigenous folk culture can also be seen in the theatre art of Bangladesh. Meanwhile, the British, having established themselves in the country politically started to evince interest in art, literature, and music. Shop unique custom made Canvas Prints, Framed Prints, Posters, Tapestries, and more. Some of the most popular motifs from this type include Rama-Sita, Radha-Krishna, goddess Durga, goddess Laksmi, goddess Annapurna, Hanuman, Shiva and Parvati, among others. Initially, these artists were concentrated around the temple at Kalighat where there was a demand for religious art. With the … Another theme depicted, dear to the Bengali ethos, was that of Chaitanya Mahaprabhu and his disciples. The other mo… The artists also chose to portray secular themes and personalities and in the process played a role in the Independence movement. The other more contemporary style of Kalighat paintings are the Occidental variety that feature secular and civil themes like crime, women bathing, the evolving role of men and women in the society since the emphasis on women’s education, the hypocritical lives of the quasi-bourgeois, depictions of the freedom struggle, heroes of the struggle including Rani Lakshmi Bai, a girl playing the sitar and other themes … Pattachitra or Patachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha and West Bengal. Bengalis tend to have a special appreciation for art and literature. Today, they practice customs that are both Hindu and Islamic in nature. Battala woodcut prints are the woodcut relief prints produced in the Battala region of Calcutta. Such prints were then hand coloured. The Bengali people are its dominant ethnolinguistic tribe. Oriental style portrays the Indian deities, Hindu Gods and Goddesses, mythological characters and scenes from different epics while Occidental style depicts the everyday life, social evils, crimes, and freedom struggle etc. But the Kalighat artists did not restrict themselves to religious themes. Kalighat painting or Kalighat Pat originated in the 19th century Bengal, in the vicinity of Kalighat Kali Temple, Kalighat, Kolkata, India, and from being items of souvenir taken by the visitors to the Kali temple, the paintings over a period of time developed as a distinct school of Indian painting. Only natural dyes are used in Kalamkari, which involves twenty-three steps. From the depiction of Hindu gods, god, and other mythological characters, the Kalighat paintings developed to reflect a variety of subjects, including many depictions of everyday life. Spurred by Mukherjee's emphasis on Indian folk … Occidental- Occidental Kalighat paintings depict the day-to-day chores a nd lives of people, the stories of the warriors and fighters during the Independence like that of Rani Lakshmi Bai”. Kalighat painting or Kalighat Pat originated in the 19th century West Bengal, India, in the vicinity of Kalighat Kali Temple, Kalighat, Calcutta, India, and from being items of souvenir taken by the visitors to the Kali temple, the paintings over a period of time developed as a … The Indian state of West Bengal has a rich cultural and artistic heritage. Even contemporary events like crime were the subject of many paintings. They depicted conventional images of gods and goddesses and scenes from epics like Tulsidas’ Rama Charita Manas. The Patua are an artisan community found in the state of West Bengal, Bihar, Jharkhand and Odisha in India and parts of Bangladesh. Unreliable citations may be challenged or deleted. From the depiction of Hindu gods, god, and other mythological characters, the Kalighat paintings developed to reflect a variety of themes. Squirrel and goat hair was used to make the brush that was used for Khaligat drawings. These artists, called patuas or ‘painters on cloth’. These artists, called patuas or ‘painters on cloth’ were said to be half Hindu and half Muslim and practised Islam. Among the deities that the Kalighat artists painted, the goddess Kali was a favorite. The paintings can be found in Victoria Memorial Hall in Kolkata and the Naprstek Museum in Prague. Learn how and when to remove this template message, Bengali language Movement (North Dinajpur), Drawings and Paintings of Kalighat by Mukul Dey, The Painters of Kalighat: 19th Century Relics of a Once Flourishing Indian Folk Art Killed by Western Mass Production Methods by Mukul Dey. Kalighat Paintings were first painted on the mill-made paper and using the natural and homemade dyes. Kalighat Paintings: The Story of their Origin When the British invaded India they were fascinated by the literary and artistic culture of the country. It is unique blends of oriental and occidental style of painting. Specialties of Kalighat Paintings include clarity of motifs, seamless brushwork, and elaborate use of earthy-Indian hues. Kalighat painting. The Oriental school of Kalighat paintings predominantly features religious figureheads such as Rama, Sita, Durga, Lakshmi, etc. Popularly known as "Davidbabu", in his short life, he made a major contribution to the study of Hindu terracotta and brick temples of Bengal and was also one of the first scholars to write a study of the emerging field of Indian writing in English. Kalighat painting emerged in the 19th century of Calcutta, West Bengal, India in the vicinity of Kalighat Kali temple. Religious themes (Oriental art) were the primary subject matter but the contemporary society (Occidental art) – especially the babu culture also provided a great deal of visual material to the artists. Kalighat paintings flourished during the British raj in India and are a harmonic balance of the artistic ideas between oriental themes and occidental techniques. The artists played an important role in the Independence movement through the depiction of secular themes and personalities in their paintings. Kalighat paintings were made by the patua community, the paintings depict gods and daily lifestyle of people. As the name suggests, Kalighat paintings were created around the Kali temple in Kolkata, on the banks or ghat of the Ganga. During its manifestation, in the earlier days, it was a community effort. Images of Durga, Lakshmi, and Annapurna were also popular, especially during the Durga Puja festival. Originally named Bijoy Chandra, Manishi was the fifth child, and third son, of Purnashashi Devi and Kula Chandra Dey. He was a student of Rabindranath Tagore's Santiniketan and is considered as a pioneer of drypoint-etching in India. Occidental- The Occidental Kalighat Paintings These paintings depict the day-to-day chores and lives of people, the stories of the warriors and fighters during the Independence like that of Rani Lakshmi Bai. Following his appointment to the painting department in 1951, he proceeded to define the school's character by imbuing it with the vision of his former teacher Binode Bihari Mukherjee, a pioneer of modern art in India.. Images (2) Jeune femme du Bengal, Calcutta, 1913 (1913) [Jeunes femmes du Bengal, Calcutta, 1913] (1913) Documents (Bengale-Occidental (Inde)) (2 … The artists were villagers who travelled from place to place with their scroll paintings and sang the scenes from the epics depicted in the paintings during village gatherings and various festivals. He was honoured with the State award of Padma Bhushan in 1955. Bengal was considered to be the richest part of Islamic medieval India and during the era of the Bengal Sultanate it was described to be a world major trading nation, while during Mughal times, having triggered the proto-industrialization, its economy was worth 12% of global GDP. He was also the first major exponent of Swadeshi values in Indian art, thereby founding the influential Bengal school of art, which led to the development of modern Indian painting. An important achievement of the Kalighat artistes was that they made simple paintings and drawings, which could easily be reproduced by lithography. The delightful blend of the oriental and occidental styles is another feature that this form gain recognition all over the world. Mukul Chandra Dey was one of five children of Purnashashi Devi and Kula Chandra Dey. Initially sold as items of souvenir taken by the visitors to the Kali temple, the paintings over a period of time developed as a distinct school of Indian painting. Kalighat painting or Kalighat Pat originated in the 19th century Bengal, in the vicinity of Kalighat Kali Temple, Kalighat, Kolkata, India, and from being items of souvenir taken by the visitors to the Kali temple, the paintings over a period of time developed as a distinct school of Indian painting. 2. Theatre in Bangladesh is believed to have its origin in the 4th century AD in the form of Sanskrit drama. He was one of the most famous pupils of Abanindranath Tagore, whose artistic originality and contribution to the emergence of art in India remains questionable. Kalighat paintings reached its zenith between 1850 and 1890 with representations of varied styles, compositions, and colours. Kalighat painting. Painted mostly on inexpensive mill-made paper or cloth with swift brushstrokes and homemade dyes, traditional Kalighat paintings originated in the 19th century. Abanindranath Tagore was the principal artist and creator of the "Indian Society of Oriental Art". Indian painting has a very long tradition and history in Indian art, though because of the climatic conditions very few early examples survive. The paintings of Kalighat have a chequered history and reflect a delightful blend of the traditional oriental art with Indian occidental influences. Kalighat’s paintings were developed in the 19th century around the Kali temple, Kalighat, in Calcutta. Another theme depicted, dear to the Bengali ethos, was that of Chaitanya Mahaprabhu and his disciples. David McCutchion was an English-born academic, and a pioneer in a number of original strands of scholarship in Indian studies before his early death at age 41. Because of the short run, cheap paper and humid conditions of the region very few of these prints have survived. Kalighat temple was considered the main centre around which the traditional artists called ‘the pataus’ or ‘painters of cloth’ concentrated. Kalighat painting usually portrayed a variety of themes, based on these themes these paintings are classified into two styles namely Oriental and Occidental. The conquest of Bengal by the Gupta dynasty led the ingress of the northern Indian culture into the ancient Bangladeshi culture which eventually introduced the tradition of theatre in Bangladesh. Kalighat Paintings can be divided into two different styles - Oriental style and Occidental style, based particularly on the varied motifs and themes that are being used in both types. Popularly known as 'Aban Thakur', his books Rajkahini, Budo Angla, Nalak, and Khirer Putul were landmarks in Bengali language children's literature and art. They set up institutions that imparted a European style of academic training to Indian artists. They depicted conventional images of gods and goddesses and scenes from epics like Tulsidas’ Rama charita manas. High-quality Occidental Wall Art designed and sold by artists. They painted historic characters like Rani Lakshmibai, and Duldul the famous horse of Imam Hussain of Karbala. The Calcutta School of Art was one such school and attracted traditional artists–the patuas—to the city. Due to this, there are two types of Kalighatpaintings that one can witness, Oriental and Occidental. They painted heroic characters like Tipu Sultan and Rani Lakshmibai. Gradually, they started to learn from the newer techniques and discovered that these could help them increase their earnings. He was also a noted writer, particularly for children. These paintings were done on cloth or patas. From Infogalactic: the planetary knowledge core. The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like Bhimbetka rock shelters. Kalighat painting originated in the 19th century Kolkata, in the vicinity of Kalighat Kali Temple of Kalighat. Oriental Style - The word ‘oriental ’ literally means something belonging to Asia and thus being true to its meaning, this style of painting derives its ideas and themes from religious and mythological tales of the Indian culture. I chose Kalighat paintings to depict my journey. Indian court painting, 16th-19th century. It is said to be developed in the vicinity of the iconic Kalighat Kali Temple on the bank of the Burin Ganga in the city of Kolkata (formerly Calcutta). The Kalighat Paintings are watercolor paintings done on mill-made paper by the scroll painters-cum-potters that migrated from rural Bengal to the city of Calcutta in the nineteenth century. In these mocking pieces, the austerity of Kalighat paintings is wedded to the simplicity of Japanese prints. Please help this article by looking for better, more reliable sources. Subramanyan embodied both. Kalighat School was a unique and delightful Blend of the Oriental and the Occidental styles of painting. Kalighat is a locality of Kolkata, in Kolkata district, West Bengal, India. Cultural centers during British rule within Kolkata performance of a song indigenous traditions cosmopolitan! And creator of the Kalighat paintings developed to reflect a variety of,! 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