5. Aria He has brought down the powerful from their thrones and lifted up the lowly. Musique sacrée Sunday 26th july – 21h00 Basilique Notre-Dame. The Magnificat has twelve parts, each lasting no more than three minutes. Soprano Rosa Lamoreaux was also excellent, expertly modulating her silvery tone for the various roles she took…This was the choir’s big night, though, and it gave great pleasure…”, “A handsome account of Bach’s St. John Passion on this new release confirms that the Bach Choir of Bethlehem doesn’t rest on anything resembling laurels. ", "Two days later I am Newark bound again, with a head full of the history of a town I previously had no awareness of, and with a heart full of the music of Bach, presented in a context that felt less like a festival than a glorious friendship between a great composer and the orchestra, conductor and choir at the heart of an extraordinary town. Much like any sermon is grounded in Scripture, Bach’s music is ordered by a harmonic plan. ", "The Bach Choir of Bethlehem, founded in the 19th century, has gained international recognition through its annual Bach Festival, tours and recordings. All rights reserved. Masses and Magnificats by Johann Sebastian Bach BWV … Behold, from henceforth, I will be called blessed by all generations. 2, Et Exultavit (Live)" and more. Magnificat In D Major, BWV 243: Chorus " Omne Generationes "2:23... 5. ", "The audience was thrilled by this outstanding performance of a Bach Cantata by seasoned experts immersed in the composer and informed by Greg Funfgeld's wisdom and enthusiasm...The Bachs [J.S.B and C.P.E] could not have been better served, not to mention two English Renaissances, as well as our own time. External websites: BWV 243 at the Petrucci Music Library (IMSLP) BWV 243a, in E-flat at the Petrucci Music Library (IMSLP) View the Wikipedia article on Magnificat, BWV 243 (Johann Sebastian Bach). Bach Notes J.S. In part 7, Bach applies this same principle to the maximum, with a furious, six-voiced fugue to the text ‘fecit potentiam in brachio suo’, to illustrate with conviction how far the mighty arm of God extends. Magnificat in D major BWV 243. The Latin & German interpolated movements numbered A - D are found only in the E-flat version, but might be transposed to fit with a D-major tonality. The Magnificat is the first large choral work that Bach composed after his appointment in Leipzig in the spring of 1723. Find album reviews, stream songs, credits and award information for Bach: Magnificat, BWV 243 - Helmuth Rilling on AllMusic - 1999. ", "The oft-quoted phrase 'a drumroll, please' aptly applies to the opening of Rutter’s exultant Gloria, which provided a dramatic finale to the program. Aria (tenore) Deposuit potentes de sede et exatavit humiles. BÄRENREITER URTEXT. Greg Funfgeld…has revitalized this Pennsylvania institution, and Dorian is doing well to document its vibrancy in a recording series… genuine honesty and intelligence informs this performance…Funfgeld has forged a fine body of singers and players…tightly disciplined ensemble …rousing spirit and sacred joy aplenty. Aria (soprano) Et exsultavit spiritus meus in Deo salutari meo. Duetto (alto, tenore) Et misericordia ejus a progenie in progenies timentibus eum. Listen to Magnificat from Magnificat in D Major, BWV 243 from Johann Sebastian Bach's Bach: Greatest Hits for free, and see the artwork, lyrics and similar artists. For a Christmas CD in the year 2010 it is obviously attractive to add new movements to Bach’s Magnificat, entirely in keeping with the tradition of the seventeenth and eighteenth centuries. Trio He has helped His servant Israel in remembrance of His mercy. The expressive power of this song of praise about God's justice is overwhelming. Cycle Bach. Bach. Released: 2009. 1. What a thrill to hear those punchy, syncopated brass lines accompanying some really polished and vibrant singing. 7. This may explain why Bach made a second version some years later (in D major, BWV 243). It also blends seamlessly with the excellent modern-instrument Festival orchestra which Greg Funfgeld conducts with an obvious knowledge of, and sensitivity to, modern performance practice.”, “…the Choir and Festival Orchestra, under their director, Greg Funfgeld, perform these three cantatas beautifully and convincingly. 2. Bach may have planned the Magnificat to have been sung at this first important religious feast day after his appointment. Magnificat In D Major, BWV 243: Aria " Quia Respexit "feat Zsuzsi Toth: 2:11... 4. The Bach Choir of Bethlehem gives him all he could have wanted. 9. The Magnificat in E-flat major, BWV 243a, also BWV 243.1, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. Magnificat In D Major, BWV 243: Aria " Quia Respexit "feat Zsuzsi Toth: 2:11... 4. Coro Fecit potentiam in brachio suo dispersit superbos mente cordis sui. Volume / Series. For a Christmas CD in the year 2010 it is obviously attractive to add new movements to Bach’s Magnificat, entirely in keeping with the tradition of the seventeenth and eighteenth centuries. SUMMARY. 11. Editor. Magnificat in D major BWV 243. "From anguish to elation, and just about everything in between, pretty much describes the vast emotional landscape covered in Friday evening’s concert at Packer Memorial Church presented by the Bach Choir of Bethlehem. Magnificat In D Major, BWV 243: Aria " Quia Fecit Mihi Magna "feat Sebastian Myrus: 2:10... 6. And their centerpiece was a BBC/Bach Choir co-commission, the world premiere of Libby Larsen’s I It Am, a jubilant cantata based on the writings of Julian of Norwich…this highly coloured and disarmingly unsophisticated work came from, and went straight to, the heart.”, “The Bach Choir of Bethlehem…had their audience enthralled…The choir knows and loves this work – and it shows…transatlantic magic.”, “Nearly one hundred strong, the Bach Choir of Bethlehem tempers its power and energy with the intimacy of a much smaller group. 3. The Latin & German interpolated movements numbered A - D are found only in the E-flat version, but might be transposed to fit with a D-major tonality. But as his aim of composing a new cantata for each Sunday turned out to be rather a high one, he might have postponed the completion of the Magnificat until the next feast day, Christmas 1723. History; 2020 programming. Aria And my spirit rejoices in God my Savior. Composed between 1728 and 1731 for the Feast of the Visitation of the Virgin. 8. Matthew Passion’ too was ardently and lovingly performed…”, “This is Bach at its finest. Aria (alto) Esurientes implevit bonis et divites dimisit inanes. https://bach.org/wp-content/uploads/2017/10/01-Magnificat-In-D-Major-BWV-243_-I.mp3. 2nd version with the 4 inserts from the E-flat major version (transposed) Edition no. 1, Magnificat Anima Mea (Live)", "Magnificat in D Major, BWV 243: No. His own choice, in the E flat major version, remains unsurpassed. Bach also uses expressiveness down to the last detail; for example in the second part with dancy sounds to the word ‘exultavit’, in the fourth part by suddenly using almost the whole ensemble for the words ‘omnes generationes’ and in the sixth part through the triplets for the word ‘timentibus’. (BA.BA05103-90). Cycle Bach. Magnificat in D Major, BWV 243: A1: Choir: Magnificat Magnificat Anima Mea Dominum: 3:40: A2: Contralto Solo: Et Exultavit Spiritus Meus In Deo Salutari Meo: 3:18: A3: Sopr.-Solo & Choir: Quia Respexit Humilitatem Ancillae Suae. The orchestra was a collection of top freelancers from around the Eastern Seaboard including several from Washington… baritone Dashon Burton, was the standout. Aria (basso) Quia fecit mihi magna qui potens est et sanctum nomen ejius. (was Religious affiliation) Magnificat in D Major, BWV 243: A1: Choir: Magnificat Magnificat Anima Mea Dominum: 3:40: A2: Contralto Solo: Et Exultavit Spiritus Meus In Deo Salutari Meo: 3:18: A3: Sopr.-Solo & Choir: Quia Respexit Humilitatem Ancillae Suae. ISMN. It is an ‘old-fashioned’ but delightful five-voiced work that uses Latin, just like the other rarity among Bach’s works, the Mass in B minor. He replaced the recorders with transverse flutes, transposed the work to a different key, gave the solo trumpet passage in the tenth part to two oboes playing in unison, and left out the songs related to Christmas, which made the piece suitable for other occasions as well. Systematic Discussions of Bach’s Other Vocal Works. 9. There was a miraculous blend of tone and balance throughout. The Latin text is the canticle of Mary, mother of Jesus, as told in the Gospel of Luke. It is an ‘old-fashioned’ but delightful five-voiced work that uses Latin, just like the other rarity among Bach’s works, the Mass in B minor.The text comes from the Gospel of Luke, and is about the visit made by Mary to her cousin Elisabeth, who was also pregnant. Splendid musicianship, rousing choruses, and the sublime voices of the soloists turned grief into joy and sorrow into triumph. Much like any sermon is grounded in Scripture, Bach’s music is ordered by a harmonic plan. 2nd version with the 4 inserts from the E-flat major version (transposed) Edition no. Chorus He has shown strength with His arm, He has scattered the proud in the thoughts of their hearts. This may explain why Bach made a second version some years later (in D major, BWV 243). Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Originally, the work was in E-flat major, though in about the year 1730 it appears Bach revised it. But the expressive power of this song of praise about God’s justice is overwhelming. Detailed product information. BWV 243 Title Magnificat in D major Genre Latin church music Year 1723 / 1733 City Leipzig Lyricist Mary s Song of Praise, Luke 1: 46-55 Occasion Christmas Day / Feast of the Visitation First performance 25 December 1723 / 2 July 1733 Special notes There are two versions, the first of which (in E flat major… 10. Duet His mercy is for those who fear Him from generation to generation. 2 soprano solo voices, alto solo voice, tenor solo voice, bass solo voice, SSATB choir and piano accompaniment sheet music book by Johann Sebastian Bach (1685-1750): Baerenreiter Verlag at Sheet Music Plus. In the intervening parts, different vocal and instrumental combinations alternate, in order to support the text as expressively as possible. 7. Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, for the Visitation of Mary on 2.7.1723; for a further performance on the 1st day of Christmas, Bach added four extra Christmas movements following a Leipzig tradition. Funfgeld brings a sure sense of phrasing, texture and pacing to the narrative, and the Bach Festival Orchestra—mostly modern instruments, with viola da gamba, violas d’amore and portative organ supplying period flavors—are cohesive and nimble. 10. The Latin text is the canticle of Mary, mother of Jesus, as told in the Gospel of Luke. His own choice, in the E flat major version, remains unsurpassed. There are still many recordings to be made before the whole of Bach’s oeuvre is online. Among the revision was the transposition to the brighter key of D major. 5. Track 1 of 27. Subscribe to our newsletter to get performance announcements, Choir news, and updates about recordings or Bach Choir touring. Bach, first composed a version in E-flat major (catalogued as BWV 243a) in 1723 and then reworked that music in D major in 1733 (catalogued as BWV 243). Several from Washington… baritone Dashon Burton, was the transposition to the promise He made our. Has trained his singers to articulate words crisply, dance lightly when the music must and. Soloists turned grief into joy and sorrow into triumph the lowliness of his mercy song of about. 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