email: /^([a-zA-Z0-9_\.\-])+\@(([a-zA-Z0-9\-])+\. To steal a quote from curator and writer Ryan Wong, one of our roundtable’s participants, “in the art world, there is a deep resistance to acknowledging race and racial construction as a reality.”. if(valid){ })(); artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. setCookie(cookieName, value, expirationMinutes); . Online resources: var settings = cookieSettings[cookieName]; var name = prefix + cname + "="; Later, I. became sort of startled when we looked over [our] collection and there were women that were in it, but they didn’t sell for anything. if (!found) { function checkCookies() { link.rel = 'stylesheet'; function loadJQuery() { o[this.name] = this.value || ''; function closeSignupBar() { function slideInModal(upOrDown) { } The Nigger Drawings introduces to the art world a new form of racism: brutality chic. head.appendChild(link); + '

Get hand-picked stories from our editors delivered straight to your inbox every day.<\/p>' Your topic is a becoming a lot bigger in the arts than one would think. if (prefix == undefined) { This story is part of a research project on the presence of work by female artists in museums and the market over the past decade. Here are some stats from Guerrilla Girls West, the conscience of the art world. But in thinking about the future, the metrics must shift to reflect the fact that we have a different understanding of gender and how discrimination works. Even those spaces created especially for minority artists are … Diversity will help museums attract more patrons, more board members, bigger audiences. data: JSON.stringify( $form.serializeFormJSON() ), Here’s what I know: The whole question of whether an artist is picked up as potentially being able to “go big,” comes about because someone who holds the ability and sees profit potential for themselves decides to risk a gamble. James M. Saslow, Pictures and Passions: A History of Homosexuality in the Visual Arts (New York: Penguin Putnam, Inc. 1999). if (!onSuccess) { closeSignupBar(); + '<\/form>' . Don’t accept the first story. var a = this.serializeArray(); expiration_minutes: 5 + '<\/div>' } + '